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Saint Bavo About to Receive the Monastic Habit at Ghent
Painting ID:: 43115
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Peter Paul Rubens
Saint Bavo About to Receive the Monastic Habit at Ghent
mk170
1610-1612
Oil on oak
106.7x82.1cm
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Portrait of Susana Lunden
Painting ID:: 43116
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Peter Paul Rubens
Portrait of Susana Lunden
mk170
1622-1625
Oil on oak
79x54.6cm
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An Autumn Landscape with a View of Het Steen in the Earyl Morning
Painting ID:: 43117
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Peter Paul Rubens
An Autumn Landscape with a View of Het Steen in the Earyl Morning
mk170
circa 1636
Oil on oak
131.2x229.2cm
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Samson and Delilah
Painting ID:: 43118
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Peter Paul Rubens
Samson and Delilah
mk170
circa 1609
Oil on wood
185x205cm
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Minerva Protects Pax from Mars
Painting ID:: 43119
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Peter Paul Rubens
Minerva Protects Pax from Mars
mk170
1629-1630
Oil on canvas
203.5x298cm
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Peter Paul Rubens
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Flemish Baroque Era Painter, 1577-1640
Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects.
In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England.
Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635.
His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems.
His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women. |
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Related Artists::.
| Henry Clarence Whaite | Pieter Balten | Leo-Paul Robert | |
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